{"id":8440,"date":"2022-11-03T10:33:08","date_gmt":"2022-11-03T09:33:08","guid":{"rendered":"https:\/\/www.estherschollum.at\/?p=8440"},"modified":"2022-11-03T10:33:08","modified_gmt":"2022-11-03T09:33:08","slug":"sophie-rennert-and-the-accademia-bizantina-at-the-musiktheater-an-der-wien","status":"publish","type":"post","link":"https:\/\/www.estherschollum.at\/en\/news\/sophie-rennert-and-the-accademia-bizantina-at-the-musiktheater-an-der-wien\/","title":{"rendered":"Sophie Rennert and the Accademia Bizantina at the Musiktheater an der Wien"},"content":{"rendered":"<p align=\"left\">On the heels of her stellar house debut at the G\u00e4rtnerplatztheater Munich as Prince Orlofsky in Johann Strauss\u2019s\u00a0<a href=\"https:\/\/www.gaertnerplatztheater.de\/de\/produktionen\/die-fledermaus.html?ID_Vorstellung=3565\" target=\"_blank\" rel=\"noopener\">\u201cThe Bat\u201d<\/a>\u201c, mezzo-soprano\u00a0<a href=\"https:\/\/www.estherschollum.at\/artists\/sophie-rennert\/\" target=\"_blank\" rel=\"noopener\"><strong>Sophie Rennert<\/strong><\/a>\u00a0travels to Vienna: With the Accademia Bizantina under the baton of Ottavio Dantone, she sings Irene\u2019s part in Vivaldi\u2019s\u00a0<a href=\"https:\/\/www.theater-wien.at\/de\/spielplan\/413\/Il-Tamerlano\" target=\"_blank\" rel=\"noopener\">\u201cIl Tamerlano\u201d<\/a>\u00a0at the Musiktheater an der Wien, just as she did in the 2020 recording of this same opera for\u00a0<a href=\"https:\/\/www.jpc.de\/jpcng\/classic\/detail\/-\/art\/vivaldi-il-tamerlano\/hnum\/10270016\" target=\"_blank\" rel=\"noopener\">Naive Edition<\/a>.<\/p>\n<p align=\"left\"><strong>Accademia Bizantina<\/strong><br \/>\nAntonio Vivaldi:\u00a0<a href=\"https:\/\/www.accademiabizantina.it\/en\/eventi\/il-tamerlano\/\" target=\"_blank\" rel=\"noopener\">\u201cIl Tamerlano\u201d<\/a><br \/>\n<a href=\"https:\/\/www.estherschollum.at\/artists\/sophie-rennert\/\" target=\"_blank\" rel=\"noopener\">Sophie Rennert<\/a>: Irene<br \/>\n<strong>Nov 19.<\/strong>\u00a0Museumsquartier Wien<\/p>\n","protected":false},"excerpt":{"rendered":"<p>On the heels of her stellar house debut at the G\u00e4rtnerplatztheater Munich as Prince Orlofsky in Johann Strauss\u2019s\u00a0\u201cThe Bat\u201d\u201c, mezzo-soprano\u00a0Sophie\u2026<\/p>\n","protected":false},"author":8,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[126],"class_list":["post-8440","post","type-post","status-publish","format-standard","hentry","category-november"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.estherschollum.at\/en\/wp-json\/wp\/v2\/posts\/8440","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.estherschollum.at\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.estherschollum.at\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.estherschollum.at\/en\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/www.estherschollum.at\/en\/wp-json\/wp\/v2\/comments?post=8440"}],"version-history":[{"count":1,"href":"https:\/\/www.estherschollum.at\/en\/wp-json\/wp\/v2\/posts\/8440\/revisions"}],"predecessor-version":[{"id":8441,"href":"https:\/\/www.estherschollum.at\/en\/wp-json\/wp\/v2\/posts\/8440\/revisions\/8441"}],"wp:attachment":[{"href":"https:\/\/www.estherschollum.at\/en\/wp-json\/wp\/v2\/media?parent=8440"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.estherschollum.at\/en\/wp-json\/wp\/v2\/categories?post=8440"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}