{"id":8342,"date":"2022-10-12T09:35:38","date_gmt":"2022-10-12T08:35:38","guid":{"rendered":"https:\/\/www.estherschollum.at\/?p=8342"},"modified":"2022-10-12T09:35:38","modified_gmt":"2022-10-12T08:35:38","slug":"thomas-lichtenecker-at-the-wiener-kammeroper-and-at-haydns-birthplace","status":"publish","type":"post","link":"https:\/\/www.estherschollum.at\/en\/news\/thomas-lichtenecker-at-the-wiener-kammeroper-and-at-haydns-birthplace\/","title":{"rendered":"Thomas Lichtenecker at the Wiener Kammeroper and at Haydn\u2019s birthplace"},"content":{"rendered":"<table class=\"module-9\" cellspacing=\"0\" cellpadding=\"0\" align=\"left\">\n<tbody>\n<tr>\n<td class=\"combo-image\">\n<div class=\"image-container\" align=\"center\">\n<p align=\"left\">\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p align=\"left\">Pursuant to his overwhelming successes in Benjamin Britten\u2019s \u201cDeath in Venice\u201d and Christian Kolonovits\u2019 musical \u201cVivaldi\u201d, Austrian counter-tenor\u00a0<a href=\"https:\/\/www.estherschollum.at\/artists\/thomas-lichtenecker\/\" target=\"_blank\" rel=\"noopener\"><strong>Thomas Lichtenecker<\/strong><\/a>\u00a0now takes up the role of Mostro in Francesca Caccini\u2019s\u00a0<a href=\"https:\/\/www.theater-wien.at\/de\/spielplan\/411\/La-liberazione\" target=\"_blank\" rel=\"noopener\">\u201cLa liberazione di Ruggiero dall\u2019isola d\u2019Alcina\u201d<\/a>, the first production of the new management of the Musiktheater an der Wien.<\/p>\n<p align=\"left\">At\u00a0<strong>Haydn\u2019s birthplace in Rohrau<\/strong>,\u00a0<a href=\"https:\/\/www.estherschollum.at\/artists\/thomas-lichtenecker\/\" target=\"_blank\" rel=\"noopener\">Mr Lichtenecker<\/a>\u00a0and pianist Dominik Wilgenbus present\u00a0<a href=\"https:\/\/www.haydnregion-noe.at\/detail\/der-kopf-des-joseph-haydn.html\" target=\"_blank\" rel=\"noopener\">\u201cDie neuen Geheimnisse des Joseph Haydn\u201d<\/a>\u00a0(\u201cThe new secrets of Joseph Haydn\u201d); they follow the trail of a rather unusual artistic relationship, fifty years of it, that began with Haydn\u2019s escape from the knife used to maintain choirboys\u2019 voices, if you get our drift.<\/p>\n<p align=\"left\"><strong>Musiktheater an der Wien\/Wiener Kammeroper<\/strong><br \/>\nFrancesca Caccini:\u00a0<a href=\"https:\/\/www.theater-wien.at\/de\/spielplan\/411\/La-liberazione\" target=\"_blank\" rel=\"noopener\">La liberazione di Ruggiero dall\u2019isola d\u2019Alcina<\/a><br \/>\n<a href=\"https:\/\/www.estherschollum.at\/artists\/thomas-lichtenecker\/\" target=\"_blank\" rel=\"noopener\">Thomas Lichtenecker<\/a>: Mostro<br \/>\n<strong>October 6 (premi\u00e8re), 8, 10, 12, 17, 19, 21.<\/strong><\/p>\n<p align=\"left\"><strong>Rohrau, Haydn\u2019s birthplace<\/strong><br \/>\n<a href=\"https:\/\/www.haydnregion-noe.at\/detail\/der-kopf-des-joseph-haydn.html\" target=\"_blank\" rel=\"noopener\">Die neuen Geheimnisse des Joseph Haydn<\/a><br \/>\n<a href=\"https:\/\/www.estherschollum.at\/artists\/thomas-lichtenecker\/\" target=\"_blank\" rel=\"noopener\">Thomas Lichtenecker<\/a>, counter-tenor<br \/>\nDominik Wilgenbus, staging, narration, piano<br \/>\n<strong>October 16.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Pursuant to his overwhelming successes in Benjamin Britten\u2019s \u201cDeath in Venice\u201d and Christian Kolonovits\u2019 musical \u201cVivaldi\u201d, Austrian counter-tenor\u00a0Thomas Lichtenecker\u00a0now takes\u2026<\/p>\n","protected":false},"author":8,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[124],"class_list":["post-8342","post","type-post","status-publish","format-standard","hentry","category-october-2022"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.estherschollum.at\/en\/wp-json\/wp\/v2\/posts\/8342","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.estherschollum.at\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.estherschollum.at\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.estherschollum.at\/en\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/www.estherschollum.at\/en\/wp-json\/wp\/v2\/comments?post=8342"}],"version-history":[{"count":1,"href":"https:\/\/www.estherschollum.at\/en\/wp-json\/wp\/v2\/posts\/8342\/revisions"}],"predecessor-version":[{"id":8343,"href":"https:\/\/www.estherschollum.at\/en\/wp-json\/wp\/v2\/posts\/8342\/revisions\/8343"}],"wp:attachment":[{"href":"https:\/\/www.estherschollum.at\/en\/wp-json\/wp\/v2\/media?parent=8342"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.estherschollum.at\/en\/wp-json\/wp\/v2\/categories?post=8342"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}