{"id":7987,"date":"2022-05-03T10:02:10","date_gmt":"2022-05-03T09:02:10","guid":{"rendered":"https:\/\/www.estherschollum.at\/?p=7987"},"modified":"2022-05-03T10:02:10","modified_gmt":"2022-05-03T09:02:10","slug":"matthias-hoffmann-in-york-hoellers-der-meister-und-margarita-at-the-oper-koeln","status":"publish","type":"post","link":"https:\/\/www.estherschollum.at\/en\/news\/matthias-hoffmann-in-york-hoellers-der-meister-und-margarita-at-the-oper-koeln\/","title":{"rendered":"Matthias Hoffmann in York H\u00f6ller\u2019s \u201cDer Meister und Margarita\u201d at the Oper K\u00f6ln"},"content":{"rendered":"<p align=\"left\">The contemporary German composer York H\u00f6ller turned \u201cThe Master and Margarita\u201d, a novel by Mikhail Afanasyevich Bulgakov, into a libretto which he then set to music, using a bewildering variety of styles and forms. The resulting opera,\u00a0<a href=\"https:\/\/www.oper.koeln\/de\/programm\/der-meister-und-margarita\/5954\" target=\"_blank\" rel=\"noopener\">\u201cDer Meister und Margarita\u201d<\/a>, is now being produced by conductor Andr\u00e9 de Ridder and director Valentin Schwarz at the Oper K\u00f6ln.\u00a0<a href=\"https:\/\/www.estherschollum.at\/artists\/matthias-hoffmann\/\" target=\"_blank\" rel=\"noopener\"><strong>Matthias Hoffmann<\/strong><\/a>\u00a0sings the part of Korovyev, Assistant to the magician Voland.<\/p>\n<p align=\"left\"><strong>Oper K\u00f6ln<\/strong><br \/>\nYork H\u00f6ller:\u00a0<a href=\"https:\/\/www.oper.koeln\/de\/programm\/der-meister-undmargarita\/5954\" target=\"_blank\" rel=\"noopener\">\u201cDer Meister und Margarita\u201d<\/a><br \/>\n<a href=\"https:\/\/www.estherschollum.at\/artists\/matthias-hoffmann\/\" target=\"_blank\" rel=\"noopener\">Matthias Hofmann<\/a>: Korovyev, Assistant to Voland<br \/>\n<strong>Apr 3 (premi\u00e8re), 6, 8, 10, 12, 17.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The contemporary German composer York H\u00f6ller turned \u201cThe Master and Margarita\u201d, a novel by Mikhail Afanasyevich Bulgakov, into a libretto\u2026<\/p>\n","protected":false},"author":8,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[113],"class_list":["post-7987","post","type-post","status-publish","format-standard","hentry","category-april-2022-2"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.estherschollum.at\/en\/wp-json\/wp\/v2\/posts\/7987","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.estherschollum.at\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.estherschollum.at\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.estherschollum.at\/en\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/www.estherschollum.at\/en\/wp-json\/wp\/v2\/comments?post=7987"}],"version-history":[{"count":1,"href":"https:\/\/www.estherschollum.at\/en\/wp-json\/wp\/v2\/posts\/7987\/revisions"}],"predecessor-version":[{"id":7988,"href":"https:\/\/www.estherschollum.at\/en\/wp-json\/wp\/v2\/posts\/7987\/revisions\/7988"}],"wp:attachment":[{"href":"https:\/\/www.estherschollum.at\/en\/wp-json\/wp\/v2\/media?parent=7987"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.estherschollum.at\/en\/wp-json\/wp\/v2\/categories?post=7987"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}