{"id":5039,"date":"2019-04-02T12:03:06","date_gmt":"2019-04-02T11:03:06","guid":{"rendered":"https:\/\/www.estherschollum.at\/?p=5039"},"modified":"2019-04-02T12:03:06","modified_gmt":"2019-04-02T11:03:06","slug":"gems-the-second-matthias-hoffmann-in-braunfelss-jeanne-darc-at-the-oper-koeln","status":"publish","type":"post","link":"https:\/\/www.estherschollum.at\/en\/news\/gems-the-second-matthias-hoffmann-in-braunfelss-jeanne-darc-at-the-oper-koeln\/","title":{"rendered":"Gems, the second: Matthias Hoffmann in Braunfels\u2019s \u201cJeanne d\u2019Arc\u201d at the Oper K\u00f6ln"},"content":{"rendered":"<p align=\"left\">For the foundations of his opera \u201cJeanne d\u2019Arc\u201d, written while he himself, as \u201chalf-jew\u201d, was subject to the Nazi despotism, Walter Braunfels went straight to the source\u2014to the trial records from 1431. Stage director Tatjana G\u00fcrbaca does not see a drama of suffering, a Passion, in these scenes: to her, they manifest doubts, insecurity, uncertainty, even inner strife. On the stage of the Oper K\u00f6ln, <a href=\"https:\/\/www.estherschollum.at\/en\/artists\/matthias-hoffmann\/\" target=\"_blank\" rel=\"noopener\"><strong>Matthias Hoffmann<\/strong><\/a> lends his versatile bass-baritone to the Archbishop of Reims and to Florent d\u2019Illiers, while Stefan Soltesz conducts the work.<\/p>\n<p align=\"left\"><a href=\"https:\/\/www.oper.koeln\/\" target=\"_blank\" rel=\"noopener\"><strong>Oper K\u00f6ln<\/strong><\/a><br \/>\n<a href=\"https:\/\/www.oper.koeln\/de\/programm\/jeanne-darc-szenen-aus-dem-leben-der-heiligen-johanna\/4057\" target=\"_blank\" rel=\"noopener\">Walter Braunfels: Jeanne d\u2019Arc \u2013 Scenen aus dem Leben der heiligen Johanna<\/a><br \/>\n<a href=\"https:\/\/www.estherschollum.at\/en\/artists\/matthias-hoffmann\/\" target=\"_blank\" rel=\"noopener\">Matthias Hoffmann<\/a>: Archbishop of Reims, Florent d\u2019Illiers<br \/>\nApril 14th, 20th, 22nd, 24th, 27th; May 4th<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>For the foundations of his opera \u201cJeanne d\u2019Arc\u201d, written while he himself, as \u201chalf-jew\u201d, was subject to the Nazi despotism,\u2026<\/p>\n","protected":false},"author":8,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"footnotes":""},"categories":[54],"class_list":["post-5039","post","type-post","status-publish","format-standard","hentry","category-april-2019"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.estherschollum.at\/en\/wp-json\/wp\/v2\/posts\/5039","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.estherschollum.at\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.estherschollum.at\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.estherschollum.at\/en\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/www.estherschollum.at\/en\/wp-json\/wp\/v2\/comments?post=5039"}],"version-history":[{"count":2,"href":"https:\/\/www.estherschollum.at\/en\/wp-json\/wp\/v2\/posts\/5039\/revisions"}],"predecessor-version":[{"id":5041,"href":"https:\/\/www.estherschollum.at\/en\/wp-json\/wp\/v2\/posts\/5039\/revisions\/5041"}],"wp:attachment":[{"href":"https:\/\/www.estherschollum.at\/en\/wp-json\/wp\/v2\/media?parent=5039"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.estherschollum.at\/en\/wp-json\/wp\/v2\/categories?post=5039"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}