{"id":11736,"date":"2026-05-30T00:54:23","date_gmt":"2026-05-29T23:54:23","guid":{"rendered":"https:\/\/www.estherschollum.at\/?p=11736"},"modified":"2026-05-30T00:54:23","modified_gmt":"2026-05-29T23:54:23","slug":"katleho-mokhoabane-as-ferrando-in-mozarts-cosi-fan-tutte","status":"publish","type":"post","link":"https:\/\/www.estherschollum.at\/en\/news\/katleho-mokhoabane-as-ferrando-in-mozarts-cosi-fan-tutte\/","title":{"rendered":"Katleho Mokhoabane as Ferrando in Mozart\u2019s Cos\u00ec fan tutte"},"content":{"rendered":"<p>\u201cThe South African is one of the finest Mozart singers of his generation.\u201d That was the verdict of the editorial team of the Culture Section at the Austrian Broadcasting Corporation after the premiere of\u00a0<em>La clemenza di Tito<\/em>\u00a0in March 2026, when the young tenor\u00a0<a href=\"https:\/\/www.estherschollum.at\/artists\/katleho-mokhoabane\/\"><strong>Katleho Mokhoabane<\/strong><\/a>\u00a0appeared in the title role on the stage of the Vienna State Opera. He is now devoting himself to the next major Mozart role at his home theatre, the Hessian State Theatre Wiesbaden: Ferrando in\u00a0<a href=\"https:\/\/www.staatstheater-wiesbaden.de\/spielplan\/a-z\/cosi-fan-tutte-25-26\/\"><em>Cos\u00ec fan tutte<\/em><\/a>. Wiesbaden is taking over a production from the Opera of Lyon (France), in which director Marie-\u00c8ve Signeyrole invites twenty couples at each performance to take their seats on stage and experience the evening in the theatre with particular immediacy.<\/p>\n<h2>Hessian State Theatre Wiesbaden<\/h2>\n<p>Wolfgang A. Mozart:\u00a0<a href=\"https:\/\/www.staatstheater-wiesbaden.de\/spielplan\/a-z\/cosi-fan-tutte-25-26\/\">Cos\u00ec fan tutte<\/a><br \/>\n<a href=\"https:\/\/www.estherschollum.at\/artists\/katleho-mokhoabane\/\">Katleho Mokhoabane<\/a>: Ferrando<br \/>\n<strong>Jun 17, 2026<\/strong>\u00a0(premiere),\u00a0<strong>Jun 19, 21, 23, 25, 27, 2026<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u201cThe South African is one of the finest Mozart singers of his generation.\u201d That was the verdict of the editorial\u2026<\/p>\n","protected":false},"author":9,"featured_media":11545,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[229],"class_list":["post-11736","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-june-2026"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.estherschollum.at\/en\/wp-json\/wp\/v2\/posts\/11736","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.estherschollum.at\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.estherschollum.at\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.estherschollum.at\/en\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/www.estherschollum.at\/en\/wp-json\/wp\/v2\/comments?post=11736"}],"version-history":[{"count":1,"href":"https:\/\/www.estherschollum.at\/en\/wp-json\/wp\/v2\/posts\/11736\/revisions"}],"predecessor-version":[{"id":11737,"href":"https:\/\/www.estherschollum.at\/en\/wp-json\/wp\/v2\/posts\/11736\/revisions\/11737"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.estherschollum.at\/en\/wp-json\/wp\/v2\/media\/11545"}],"wp:attachment":[{"href":"https:\/\/www.estherschollum.at\/en\/wp-json\/wp\/v2\/media?parent=11736"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.estherschollum.at\/en\/wp-json\/wp\/v2\/categories?post=11736"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}